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Year 1
You’ll be introduced to the world of moving image, exploring practical, theoretical and ethical issues associated with the representation of people or places using visual and sonic media.
You’ll explore screen storytelling, understanding how filmmakers tell their stories and producing factual and fiction films.
Encounters
This unit allows you to explore the practical, theoretical and ethical problems associated with the representation of people or places using digital media. During this unit you'll develop research skills and an understanding of the application of still and moving image production processes. Working in a small group you'll undertake research leading to the production of a short film which presents a portrait of an individual, a group/organisation or a place. Working as an individual, you'll undertake research leading to the production of a digital online photographic portfolio which represents a portrait of an individual or a place.Stories for the Screen
You'll explores the practice of screen storytelling focusing particularly on the role of the screenwriter. It addresses the fundamental question: how do we, as filmmakers, go about telling our stories on screen? At the core of this unit are writing workshops, through which you will gain a foundation in the skills needed to work with screenplays effectively, whatever role you seek to perform in the filmmaking process. You'll also be challenged to make a short film, rotating roles within a production group in order to explore the translation of a script to screen.Screen Craft 1
The unit will familiarise you with a basic knowledge and understanding of production and postproduction practices and develop your understanding of the function and structure of film narrative. Working within a group, you'll be involved in creating an imaginative non–sync narrative film. You'll see the project through an entire production process, beginning with the development of story and script, creating characters through writing and working with actors, and creating an appropriate story world through camera, production design and sound.Screen Studies 1
You'll be introduced you to a range of fundamental concepts essential to the understanding of international moving image history and theory. Through exploration of a range of narrative and non-narrative moving image forms from around the world you will gain a historical overview of their development. You will also be introduced to some of the key theoretical approaches used in analysing moving image texts that also takes into consideration their specific contexts of production and consumption. -
Year 2
You’ll select a specialist role in the second year from screenwriting, producing, directing, cinematography, editing, sound or production design.
You’ll then take on this role in the production of a short fiction film, whilst developing your knowledge of film history, and finally you’ll initiate and work on a factual film project.
Screen Craft 2:1 - Production Roles
You'll consider the different roles on a film production and choose one to specialise in through a series of workshops and small project work. The areas of specialism for you to choose from may include: Screenwriting, Producing, Directing, Cinematography, Editing, Sound, Production Design and Visual Effects.Screen Craft 2:2 - Short Film Production
This unit will provide you with the opportunity to take on responsibility for a production role that you have learnt about in Screen Craft 2.1: Production Roles in the production of a short fiction film to a given brief. You'll be required to take on a specialist role whilst making a fiction production and further develop your technical skills in this area.Creative Documentary
You'll examine storytelling within the documentary form, which will encourage you to undertake a documentary journey that reveals unexpected realities. Through collaborative working, you'll gain confidence in understanding the stories and kinds of storytelling that are appropriate to documentary filmmaking.Screen Studies 2
Providing a cultural, critical, theoretical and historical overview of the ways in which selected filmmakers from a variety of international contexts have responded to real-life events. A selection of fiction and non-fiction moving image texts that take real-life events as their starting points will be explored and a range of relevant theoretical and interpretative approaches will be employed to analyse their production and consumption.Study Abroad (optional)
This optional unit will allow you to spend a period of time in an overseas educational institution. -
Year 3
The final year is a combination of work on your graduate film portfolio and self-directed work on an individual Extended Research Project.
You’ll complete your studies with support and guidance through your development of a professional profile and positioning yourself in the wider film and television community.
Filmmaking Portfolio
You'll develop your knowledge and technical skills in film production to a level that will enable you to work creatively and professionally at the end of your course. The unit offers you an opportunity to define your intended area of film practice and to find crew roles in short film productions which will support your chosen field. This is a portfolio unit in which you will work on more than one project and through an ‘Individual Learning Agreement’ negotiated with the unit leaders, you will balance two or more roles in order to fulfil the weight of production work required by this unit.
Extended Research Project
Emphasising the personal development of critical writing in consultation with teaching staff, this unit aims to offer a supportive opportunity for the research and completion of an independently generated and illustrated Extended Research Project.Projections
This final unit of your course is designed to encourage you to reflect on your learning throughout the course. In preparing for the world beyond University you'll need to polish your CV and your online presence and develop your confidence in presenting yourself both online and in person. You'll also prepare your previous project work for presentation at screenings and festivals by developing a festival strategy and all associated promotional materials. -
Study abroad
This course offers the opportunity to study abroad for part of your second year. To find out more about studying abroad as part of your course please see the Study Abroad section:
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Fees
The course fees per year for 2019 entry are:
- UK and EU students - £9,250
- International students - £15,500 (standard fee)
- International students - £14,800 (full early payment fee)
The fees for 2020 entry have not been confirmed but will be listed here as soon as possible.
Find out more about our course fees and any financial support you may be entitled to:
These fees are correct for the stated academic year only. Costs may increase each year during a student’s period of continued registration on course in line with inflation (subject to any maximum regulated tuition fee limit). Any adjustment for continuing students will be at or below the RPI-X forecast rate.
Our industry connections include:
- Avid
- Kodak
- BKSTS
- BECTU
- NAHEM
- Envy
- The Royal Television Society
- The Guild of Television Cameramen
- Tangram Post Production
- Warp Films
- Working Title
- BBC
- Picture Productions
- Paramount Pictures
- ITN
- Mainframe
- Big Minded TV.
We've hosted a number of visiting lecturers, including:
- Alex Garland, novelist, screenwriter, film producer and director with titles including The Beach, Ex Machina, Dredd, Sunshine and 28 Days Later
- Barrie Vince, editor of Get Real, A Private Function and Moonlighting
- Gustavo Costantini, Argentinian sound designer, musician and Professor of Sound Design at the University of Buenos Aires
- Joe Martin and Danielle Clarke, director and producer of documentaries Win a Baby, Going Straight, Scientologists at War and Britain's Young Soldiers
- Julie Noon/One World Media, Julie made Syria's Torture Machine, The TA and the Taliban, and Cooking in the Danger Zone
- Philip Ilson, directs the London Short Film Festival
- Sean Bobbitt, cinematographer of 12 Years a Slave (amongst many others).
As well as coursework, our students are supported in external projects and have made professional level film work for organisations including:
- Alive & Well
- London Life
- Royal Marsden Hospital
- Sailability
- The March Foundation
- Who Needs Heroes.
Our students have undertaken work experience on such features as:
- Lilting
- Snow White and the Huntsman
- Thor: The Dark World
- Anna Karenina
- Game of Thrones.