Film Production

BA (Hons) - UCA Farnham - 2019

We believe in learning through doing, which is why this BA (Hons) Film Production course is 75% practical and 25% theoretical.

From the very beginning, you’ll become part of a close-knit creative team, making films exactly as you would in the film industry.

This is one of the few courses where you can still combine the latest digital techniques with shooting and editing on 16mm film.

You’ll fully explore different aspects of filmmaking and film production, establishing yourself in a key specialist role such as producing, production design, screenwriting, directing, cinematography, editing, sound or VFX.

You'll learn about the business of film, the production process from beginning to end and networking and communication skills to set you up for a career in the industry.

Coursework is often screened at national and international competitions and festivals, providing a strong springboard for your future filmmaking career.

Our high-profile alumni network has contributed to multiple global movie successes, including Star Wars, Godzilla, James Bond, Harry Potter, Mission Impossible, Lilting, Pride, Paddington and Minions.

We have a long tradition of training aspiring filmmakers on 16mm. This has a proven effectiveness for developing visual literacy and fostering the discipline and planning that will help you excel. 

You’ll graduate from this Film Production course with a strong portfolio of work, with sought-after specialist skills and the practical filmmaking experience employers really want. 

The experience of studying film with like-minded people in a specialist arts environment will fuel your creativity and give you a wide network of invaluable contacts for your future career. 

Length of study:

Three years full-time


UCA Farnham

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Entry requirements:

112 UCAS tariff points

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12 Dec 2018 UCA Visit Morning

Pre-degree & Undergraduate

Course details

  • Year 1

    In the first year, you'll be introduced to the University and the technical workshops and facilities available to you. On the course you’ll learn the technical and conceptual skills that will give you a solid foundation from which to explore your areas of specialist activity. 

    This unit allows you to explore the practical, theoretical and ethical problems associated with the representation of people or places using digital media. During this unit you'll develop research skills and an understanding of the application of still and moving image production processes. Working in a small group you'll undertake research leading to the production of a short film which presents a portrait of an individual, a group/organisation or a place. Working as an individual, you'll undertake research leading to the production of a digital online photographic portfolio which represents a portrait of an individual or a place.

    Stories for the Screen
    You'll explores the practice of screen storytelling focusing particularly on the role of the screenwriter. It addresses the fundamental question: how do we, as filmmakers, go about telling our stories on screen? At the core of this unit are writing workshops, through which you will gain a foundation in the skills needed to work with screenplays effectively, whatever role you seek to perform in the filmmaking process. You'll also be challenged to make a short film, rotating roles within a production group in order to explore the translation of a script to screen.

    Screen Craft 1
    The unit will familiarise you with a basic knowledge and understanding of production and postproduction practices and develop your understanding of the function and structure of film narrative. Working within a group, you'll be involved in creating an imaginative non–sync narrative film. You'll see the project through an entire production process, beginning with the development of story and script, creating characters through writing and working with actors, and creating an appropriate story world through camera, production design and sound.

    Screen Studies 1
    You'll be introduced you to a range of fundamental concepts essential to the understanding of international moving image history and theory. Through exploration of a range of narrative and non-narrative moving image forms from around the world you will gain a historical overview of their development. You will also be introduced to some of the key theoretical approaches used in analysing moving image texts that also takes into consideration their specific contexts of production and consumption.

  • Year 2

    The second year focus is on finding your own specialist way of working and you’ll be encouraged and supported to start working more independently. During this year you may also have the opportunity to complete an industry work placement or even study abroad.

    Screen Craft 2:1 - Production Roles
    You'll consider the different roles on a film production and choose one to specialise in through a series of workshops and small project work. The areas of specialism for you to choose from may include: Screenwriting, Producing, Directing, Cinematography, Editing, Sound, Production Design and Visual Effects.

    Screen Craft 2:2 - Short Film Production
    This unit will provide you with the opportunity to take on responsibility for a production role that you have learnt about in Screen Craft 2.1: Production Roles in the production of a short fiction film to a given brief. You'll be required to take on a specialist role whilst making a fiction production and further develop your technical skills in this area.

    Creative Documentary
    You'll examine storytelling within the documentary form, which will encourage you to undertake a documentary journey that reveals unexpected realities. Through collaborative working, you'll gain confidence in understanding the stories and kinds of storytelling that are appropriate to documentary filmmaking.

    Screen Studies 2
    Providing a cultural, critical, theoretical and historical overview of the ways in which selected filmmakers from a variety of international contexts have responded to real-life events. A selection of fiction and non-fiction moving image texts that take real-life events as their starting points will be explored and a range of relevant theoretical and interpretative approaches will be employed to analyse their production and consumption.

    Study Abroad (optional)
    This optional unit will allow you to spend a period of time in an overseas educational institution.

  • Year 3

    The third year will see you achieve a greater level of independence with self-managed research, study and practice, resulting in a final major project and a written dissertation. 

    Filmmaking Portfolio
    You'll develop your knowledge and technical skills in film production to a level that will enable you to work creatively and professionally at the end of your course. The unit offers you an opportunity to define your intended area of film practice and to find crew roles in short film productions which will support your chosen field. This is a portfolio unit in which you will work on more than one project and through an ‘Individual Learning Agreement’ negotiated with the unit leaders, you will balance two or more roles in order to fulfil the weight of production work required by this unit.

    Extended Research Project
    Emphasising the personal development of critical writing in consultation with teaching staff, this unit aims to offer a supportive opportunity for the research and completion of an independently generated and illustrated Extended Research Project.

    This final unit of your course is designed to encourage you to reflect on your learning throughout the course. In preparing for the world beyond University you'll need to polish your CV and your online presence and develop your confidence in presenting yourself both online and in person. You'll also prepare your previous project work for presentation at screenings and festivals by developing a festival strategy and all associated promotional materials.

  • Study abroad

    This course offers the opportunity to study abroad for part of your second year. To find out more about studying abroad as part of your course please see the Study Abroad section:

  • Fees

    Find out all about the fees for studying with us, as well as the grants, loans and other financial support you may be entitled to:


Facilities include a purpose-built film studio with dedicated technical support; sound editing and mixing suites which include software such as Avid Media Composer, Symphony Nitris and Pro Tools; digital media suites with latest programs for film editing as well as general design work and an campus media store with good supply of 16mm, super 16mm, digital HD video cameras and high-end sound recording equipment to hire.

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Course connections

On this course, you'll be exposed to a world of opportunities

  • Industry links

    Our industry connections include:

    • Avid
    • Kodak
    • BKSTS
    • BECTU
    • NAHEM
    • Envy
    • The Royal Television Society
    • The Guild of Television Cameramen
    • Tangram Post Production
    • Warp Films
    • Working Title
    • BBC
    • Picture Productions
    • Paramount Pictures
    • ITN
    • Mainframe
    • Big Minded TV.

    We've hosted a number of visiting lecturers, including:

    • Alex Garland, novelist, screenwriter, film producer and director with titles including The Beach, Ex Machina, Dredd, Sunshine and 28 Days Later
    • Barrie Vince, editor of Get Real, A Private Function and Moonlighting
    • Gustavo Costantini, Argentinian sound designer, musician and Professor of Sound Design at the University of Buenos Aires
    • Joe Martin and Danielle Clarke, director and producer of documentaries Win a Baby, Going Straight, Scientologists at War and Britain's Young Soldiers
    • Julie Noon/One World Media, Julie made Syria's Torture Machine, The TA and the Taliban, and Cooking in the Danger Zone
    • Philip Ilson, directs the London Short Film Festival
    • Sean Bobbitt, cinematographer of 12 Years a Slave (amongst many others).

    As well as coursework, our students are supported in external projects and have made professional level film work for organisations including:

    • Alive & Well
    • London Life
    • Royal Marsden Hospital
    • Sailability
    • The March Foundation
    • Who Needs Heroes.

    Our students have undertaken work experience on such features as:

    • Lilting
    • Snow White and the Huntsman
    • Thor: The Dark World
    • Anna Karenina
    • Game of Thrones.
  • Careers

    Our graduates have worked in various roles on big budget productions, including:

    • James Bond
    • Mission: Impossible
    • Rogue Nation
    • Star Wars: Episode VII
    • Thor: The Dark World
    • Fast & Furious 6
    • Anna Karenina 
    • Pride.

    A number of our graduates are working for range of high-profile organisations, such as:

    • The BBC
    • ITV
    • Channel 4
    • RSA Films
    • The Challenge Network
    • Roast Beef Productions
    • Art4noise
    • Channel 5
    • E4
    • Splice Media
    • Blindeye Films
    • Flex Film
    • Passion Pictures
    • Seventh Art Productions.

    The types of roles our graduates go on to achieve include:

    • Director
    • Editor
    • Producer
    • Production designer
    • Camera operator
    • Sound designer
    • Location manager
    • Location sound recordist
    • Independent film maker
    • Screen writer
    • Distributor
    • Exhibitor
    • DIT operator.
  • Further study

    You may also like to consider further study at postgraduate level.


How to apply - 2019 entry

I am a UK or EU citizen ...

I am not a UK or EU citizen ...

When to apply:

If applying via UCAS the application deadline is the 15 January. If applying directly to us, you can apply throughout the year but we recommend you apply as early as possible so you have time to arrange accommodation and visas.

More information:

Go to our how to apply pages

Entry requirements

UK entry requirements

Along with your portfolio, the standard entry requirements* for this course are:

One of the following:

  • 112 new UCAS tariff points, see accepted qualifications
  • Pass at Foundation Diploma in Art & Design (Level 3 or 4)
  • Distinction, Merit, Merit at BTEC Extended Diploma (Level 3)
  • Merit at UAL Extended Diploma (Level 3)
  • 112 new UCAS tariff points from an accredited Access to Higher Education Diploma in appropriate subject
  • 27-30 total points in the International Baccalaureate Diploma with at least 15 IB points at Higher level, see more information about IB entry requirements.

And four GCSE passes at grade A*-C and/or grade 4-9 including English (or Functional Skills English/Key Skills Communication Level 2).

Other relevant and equivalent Level 3 UK and international qualifications are considered on an individual basis, and we encourage students from diverse educational backgrounds to apply.

*We occasionally make offers which are lower than the standard entry criteria, to students who have faced difficulties that have affected their performance and who were expected to achieve higher results. We consider the strength of our applicants’ portfolios, as well as their grades -  in these cases, a strong portfolio is especially important.

International entry requirements

To view the equivalent entry requirements for your country please select it in the list below.

Pick Your Country

Non-UK equivalent qualifications

English language requirements

Your portfolio

For this course we’ll ask you to attend an Applicant Day and bring your portfolio for assessment. Further information on how to compile a portfolio and the specific requirements for examples of work to be included will be provided on the Applicant Portal after you’ve applied.

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