This course's unique philosophy revolves around the idea of the voice – in your first year, you'll focus on training and finding your voice.
Fashion Journalism 1
This unit introduces you to some of the most commonly used journalistic styles and areas of focus adopted by the contemporary fashion journalist. These include, specifically, developing an eye for a good story, ensuring stories are timely, areas we examine and people we cover. We'll also look at the diverse range of platforms on which we communicate fashion and investigate the differences of styles between them. We'll do this in terms of style, structure, focus and language.
We discover the language of fashion. This means terminology and utilising descriptive language to enable readers to picture what we're discussing, going beyond the surface and appearance of accompanying visuals.
Fashion Media and Industry
This unit examines the industry itself. It enables you to consider yourself, at this early stage, within it, through the production of a portfolio of work you've undertaken in the past. This helps you to reflect your initial career aspirations and areas of potential investigation for work placement/study abroad in Year 2. You'll also gain a greater awareness of complementary industries to fashion within the greater ' lifestyle' or 'creative industry' arena.
Introduction to Fashion History and Theory
Establishes the basic framework of historical knowledge. This is vital for developing a contextual understanding and also introduces the tools for visual and textual analysis.
Your second year will focus on developing and widening your voice through collaborative work, as well as a work placement in industry where you'll adopt the processes of investigation, application, interviewing and participation.
Fashion Journalism 2
This unit helps find and train our journalistic voices, through discovering research methodologies and techniques to offer voice depth and broad appeal. We know that an effective headline and initial reportage can grab attention, and that thoughtful use of description, terminology and appropriate imagery can help the reader trust us.
In this unit, you'll be expected to work as part of a group to develop a vision for a new magazine, identify an appropriate audience and create a product that aligns with both. As part of the process, we'll explore the typical structures and hierarchies of fashion titles across numerous platforms. And we'll look at how they elicit information about their audiences.
Work Placement and Portfolio
You'll experience the workings of a sector of that industry first hand, through a mandatory work placement period of a minimum of three weeks, either with the same or multiple provider. Adopting the process of investigation, application, interviewing and participation, you'll then reflect on these experiences both directly. You'll also do this indirectly, through the curation and production of a portfolio, allowing the input of these experiences to further shape your career pathway and/or aspirations for the future.
Theories of Culture, Identity and Communication
This unit introduces key issues and academic debates circulating in contemporary discussion of design culture. We'll provide interdisciplinary theories and methods for analysis, drawing on dominant theories of explanation and engaging in current debates. An important consideration is to demonstrate the significance of theory - in understanding the contexts of practice - through lively and contentious debate in seminars.
Study Abroad (optional)
This optional unit gives you the chance to spend time in an overseas educational institution.
For a dissertation and final major project, you'll create what's fundamentally your own brief and produce work that exclusively demonstrates your skills, abilities, motivations, interests and understanding of creative practice.
Innovation in Fashion Publishing
You're asked to select an area of fashion publishing, including (but not limited to) specific market sectors, platforms of dissemination, specific publishers or specific titles. You'll conduct a detailed research analysis of the area's past and present, culminating in ideas for its future. You're encouraged, where possible, to not limit yourself to the UK, but adopt a more international perspective.
Final Major Project and Portfolio 2
You'll create what's fundamentally your own brief - producing two outcomes, a final major project and a portfolio that both exclusively demonstrate your skills, abilities, motivations, interests and a personal manifesto of creative practice.
This is a period of self-directed individually-negotiated research on a subject related to the contextual and/or theoretical concerns of your discipline or chosen area of practice.
Or Combined Dissertation and Critical Reflection
Consists of two periods of sustained, individually negotiated research on subjects which are likely to be related to the contextual and/ or theoretical concerns of your chosen areas of practice. This is towards the provision of structured argument. In the first section, you'll undertake a dissertation, by engaging with research appropriate to you chosen subject area. In the second, you'll undertake an individually negotiated project of critical research and reflection that provides a contextual framework for, and analysis of, your own practice and/or visual interests.
This course offers the opportunity to study abroad for part of your second year. To find out more about studying abroad as part of your course please see the Study Abroad section:
Fees and additional course costs
The course fees per year for 2020 entry are:
- UK and EU students - £9,250
- International students - £16,250 (standard fee)
- International students - £15,600 (full early payment fee)
Additional course costs
In addition to the tuition fees please see the additional course costs, these are still to be finalised for 2020 entry but as a guide please see the additional course costs for 2019 entry.
Find out more about our course fees and any financial support you may be entitled to:
These fees are correct for the stated academic year only. Costs may increase each year during a student’s period of continued registration on course in line with inflation (subject to any maximum regulated tuition fee limit). Any adjustment for continuing students will be at or below the RPI-X forecast rate.
The course is taught by practising journalists and editors with a wide range of skills and experience working for newspapers, magazines, websites, blogs, broadcast and television, having worked for titles such as:
- Time Out
- The Independent
- The Sunday Times
- The Guardian
- The Daily Express
- The Sunday Express
- Channel 4 –
- Pop Magazine.
Fashion Journalism at our Epsom campus enjoys close fashion and creative industry links across multiple media and fashion companies, enabling students to undertake work placements with magazines such as:
- Dazed and Confused
- Love and InStyle.
Our students also undertake placements with:
- Independent magazines
- PR agencies
- Advertising agencies
- Model agencies
- High street brands
- Designer labels
- Individual stylists
- Creative directors
- Fashion designers.
In addition to this, our unique Core Lecture Programme invites guest speakers from different levels of industry, across a many different disciplines and backgrounds. Recent speakers have included editors, authors, photographers, stylists, curators and publishers.