Rob McDonald

Rob's work combines both graphic sensibilities of a visual narrative through complex structured images generated through silkscreen, collaged paintings whilst building an interaction between colour and mark making. The makeup of his work is derivative of our social conditioning which controls our values of taste, aesthetics and judgements.

It also attempts to question the changing face of British and European society from social housing and town planning to our interaction within the nucleus of family values, looking at TV culture to the importance of play. His work attempts to mirror and expose snobberies and social stigmas by using simple graphic forms and images of everyday life as cultural sources.

The work is built up through drawing, photography and found images with sentimental values developed through print and installation. In essence it is simple and direct; but one that can build an underlying network of form, structure, interlinking compositions thus reflecting his concepts and the subject matter.

Rob is also interested in the book as an object. Its tactile form, its playful nature, the way a viewer interacts with it, and ultimately its accessibility, developing ideas through examining what a book can be or represent, from sequential narrative to sculptural forms.

This is evident in creating and exhibiting his work at international book fairs and his work in collections at The Tate, UCA Libraries, John Moores University, UAL Libraries, and Turner Contemporary.